A new painting by the maestro of Trumpian kitsch offers a fever dream of musical unity – and fundamentally misunderstands orchestras and conductors. And where are the music stands?
Events in the United States of Trumpland continue to reveal staggering new dimensions to the possibilities of orchestral music. Trump’s announcement that his “Trump Kennedy Center” is to be shut for a refit is a brilliantly cynical way to stop the noise when artists try to cancel their appearances during the rest of his presidential tenure: it’s shut already! Bigly losers, all of you!
But that’s not the new dawn for the artform I’m talking about. I mean the inspirational painting unveiled by the maestro of Trumpian kitsch, Jon McNaughton (and stamped with the presidential seal of approval – ie a post on Truth Social).
